objet perdu
ENCOUNTERING ART'S INFINITY
by Mário Caeiro

Objet trouvé. In art vernacular this expression evokes unexpected solutions to an artist’s search, a sudden serendipitous manifestation of a more or less unconscious process. Like the trouvaille, which defines the moment in which matter and discourse, artist and public meet in a stasis, inscribing a new situation in the flux of the everyday, the term also presuposes the possibility of art being a process of achamento [stumbling upon]. It may become an argument, eventually a programme, setting out how art emerges, configures and institutes itself. But until what point shall we adhere to an art defined by the iconic image of the objet trouvé? Is there a possibility that a reconsideration of the concept will open up a path for the surpassing of what art is normally considered to be?

ROOM SHEET


António Contador
Hugues Decointet
Simeon Nelson
Pedro Penilo
Anabela Santos
Julião Sarmento
Carlos Sousa


Curator
Mário Caeiro


Objet Perdu. The art which is truly contemporary
is suspicious of the glittering aura that the industry assigns it.
Preferring the path of imagination (Marcuse), this art resists
the commodification of its processuality and finds its value
in cognition. A sense of auto-poesis projects it into the darkness
of the future. It is the territory of the self-sufficiency of the device.
Sacrifice and loss; this is the art that loses itself in order to find itself.


About the artists and the works

ACKNOWLEDGEMENTS

 
Víctor Pinto da Fonseca
Jean-Paul Lefèvre
Isabel e Julião Sarmento
João Fernandes
Inês Velade
Laurentina Pereira
Silva! Designers
José Moura
Carlos Lampreia
João Ribeiro
Cátia Bonito
A.
ESAD Caldas da Rainha
Instituto Franco-Portugais
Fundação Serralves
Câmara Municipal de Lisboa
All artists and their collaborators!